Joshua Banbury is a multi-dimensional vocalist and lyricist, gaining international attention for his work in jazz, folk, and opera.

He started his classical training as a teenager and now is equally at home singing with jazz trios as he is with symphonic orchestras, string quartets, and folk ensembles.

Since 2021, the rising star from Austin, Texas has made solo appearances with some of the most respected artistic organizations in the country, including The Apollo Theater, The New York Philharmonic, The National Black Theater, The Phillips Collection, Jazz at Lincoln Center’s All-Star Orchestra, Jazz at The Ballroom, The Kelly Strayhorn Theater, and The Alexandria Symphony Orchestra.

Additionally, Joshua has been fortunate to work with some of the most alluring figures across jazz and opera, including Aaron Diehl, Samara Joy, Russell Thomas, Denyce Graves, and Anthony Roth Costanzo.

In recent years, he has held artist residencies at Soho House Austin, Looking Glass Arts, and The American Lyric Theater, considered the country’s premier mentorship initiatives for promising operatic writers.

Joshua’s operatic work has been presented by The Chicago Symphony Orchestra, Los Angeles Opera, The Kennedy Center, and Washington National Opera.


PERFORMACE REELS


FORGOTTEN FOLKLORE, 2020

FOLK EP WITH KEVIN SHERWIN, FUNDED BY YOUNGARTS

  • “Static crackles over the track, pulling the listener back in time. Joshua's Banbury's voice is lush but somehow also spare, holding the weight of each word as the verses dip and chirrup. He slides into his role as storyteller, giving the song wings as it escapes from somewhere between his throat and his ribcage”.

    - NEW HAVEN ARTS

  • “Brightest and Best,” the lead single from Joshua Banbury’s and Kevin Sherwin’s Forgotten Folklore, starts with the crackle of a record, a wash of strings that evokes wide open spaces, before settling into a sparse, urgent guitar pattern, a voice hovering somewhere between a warble and a chant.”

    - NEW HAVEN INDEPENDENT


Joshua Banbury and members of The New York Philharmonic in “Beauty in the Abyss”, 2022


PRESS, REVIEWS & INTERVIEWS

2020-2023


OPERAS


“THE BURNING BUSH”, 2020 (music by Jasmine Barnes)

KENNEDY CENTER & WASHINGTON NATIONAL OPERA

"The night closed with “The Burning Bush,” an opera from the Baltimore-based team of composer Jasmine Barnes and Joshua Banbury — and set in a surrealist version of that city’s long-ago vaudeville scene....it was a clever way of reflecting the spectacle made of violence against Black people (in this case, Freddie Gray), and inviting revision of the stories (and histories) too often consumed as entertainment.”

- WASHINGTON POST


“THE MAGIC CABBAGE”, 2021 (music by Johanny Navarro)

THE AMERICAN LYRIC THEATER & THE METROPOLITAN OPERA LINDEMANN YOUNG ARTIST PROGRAM

  • “This season marks the first collaboration between ALT and the Metropolitan Opera’s Lindemann Young Artist Development Program, whose artists will perform the new works…the second opera is “The Magic Cabbage,” by composer Johanny Navarro and librettist Joshua Banbury, featuring MET OPERA young artists Jonah Hoskins, Cierra Byrd, and Samson Setu…”

    - OPERAWIRE


“ANNUNCIATION”, 2023 (music by Damien Geter)

LOS ANGELES OPERA / CHICAGO SYMPHONY ORCHESTRA

“The work that came off most successfully was Geter’s/Banbury’s Annunciation (2022), a song cycle of seven vignettes derived from an explicitly homoerotic text by Joshua Banbury, subtitled “Visions from a Fever Dream.” Each vignette is a love song from a night of passion between male lovers, one the singer-narrator, the other a mysterious, divine being “sung” throughout the cycle by solo cello, here the ever-mesmerizing CSO cellist Katinka Kleijn.”

- CHICAGO CLASSICAL REVIEW

“The recital was beginning to feel like too much sugar. Then came Geter’s Annunciation, to an exceedingly homoerotic text by Joshua Banbury. It was here that Thomas finally exhibited the level of vocal emotionality and expressive freedom he had discussed in his interview. This was a love song inspired by lust and sweat: graphic, honest, and passionate. This is music that grabs the listener…”

- SF CLASSICAL VOICE


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